I think of Thompson's style as being somehow on the military wing of funk. He's the one who kept Love Is The Drug and Do The Strand rattling along but he also sounded as if he would be completely comfortable supplying the percussion noises that accompany court martial scenes in movies. There's something round, hard and stirring about the way he plays, something dry and stern about his fills. If you were going to be led out to be hanged you'd like to think Paul Thompson would be playing.
Thompson was working on a building site when Roxy Music went in to do their first sessions for John Peel and he never fitted comfortably into the group's visual scheme.
Thompson was edged out when the group made their early 80s albums, to be replaced, not entirely satisfactorily, by session players and drum machines. He then played with everyone from Blondie to the Angelic Upstarts. He was called back to the line-up in 2001. It was like an errant footballer going back to the wife who had borne his children. While he was away Roxy Music had a few hits but did nothing that was great. That could be because Paul Thompson is Roxy Music.

10 comments:
Sorry David, you're just wrong in your concluding premise. As I argue to friends, foes and naysayers ad nauseam, Avalon is a GREAT Roxy Music album - markedly different in style to the albums Thompson plays on, of course, but unimpeachably great.
I remember NME always referred to him as "the great Paul Thompson".
I also think if Roxy Music came on the scene for the first time now they would still sound pretty special.
Are you sure about the Angelic Upstarts?
Yes. He plays on their 1983 album "The Reason Why".
Tony Mccarrol is Oasis.
Discuss.
"While he was away Roxy Music had a few hits but did nothing that was great."
Equally true of Eno…
Similarly, Max Weinberg *is* The E Street Band.
Mick Burt *is* Chas 'n Dave.
That's enough now, you had your fun:)
You're spot on David and if you listen to the Avalon era Roxy played live now with Paul on drums it is MUCH better.
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